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Washington DC Reviews
THE YEAR OF MAGICAL THINKING

STUDIO THEATRE - Washington, D.C.

Reviewed by
Verna Kerans


For several years  my eldest daughter nagged me - "Have you read The Year of Magical Thinking" by Joan Didion?
And to myself I thought,  " I won't - it's about death and I am not interested in that - I am too emotional for letting myself in for that" .

Then I returned to Washington D.C and found my friend from college and well-known local actress,  Helen Hedman, was appearing in The Year of Magical Thinking)  --  and I knew the time had come.

Helen Hedman has just opened her one-woman show: a searing,  heartbreaking  stage presentation of  TYOMT at Studio Theatre under the direction of Serge Seiden and Joy Zinoman. This is the stage presentation of the  book that Joan Didion wrote after both her husband, John Gregory Dunne AND her daughter Quintana died.  John, in December of 2003, and Quintana in 2004. John, suddenly of a heart attack, and Quintana, after several long protracted visits to the hospital with several seemingly mysterious ailments that cleared up and then returned.

Hedman does a remarkable job of channeling Didion's memoir. She uses as her script all the thoughts from Didion's book in this 90 minute show.  Hedman has really captured Didion's spirit : from the short hairdo that looks so much like Didion to the emotion that permeated her life in this Year of Magical Thinking. Didion realizes she has developed "magical thinking".  She imagines different conditions that would possibly enable her husband to come back to life. This "magical thinking" works as a survival mechanism for the author who up until now has been a precise and rational woman and writer. What she goes through is a sort of "madness".

Hedman, as Joan Didion, opens her one woman show by telling us that something like this will happen to us - that "something" being an unexpected death. You know it's coming but no matter how you try to prepare - you are never prepared and she warns "And it will happen to you. The details will be different, but it will happen to you. That's what I am here to tell you."

I understand this l only too well. My mother is elderly. Being with her has changed my life these last eight years. I know she will die but I know I will not be ready. It will happen to me.

In her book, Didion reflects on these facts of her husband John and daughter Quintana's life and how she dealt with in in her year of "Magical Thinking". There are a lot of,  "if only I had done this or that" . How then it would have all been different. But how fruitless all this thinking becomes as she moves through her year of mourning.

Yes, someday it will happen to you. Possibly by seeing this show you can be a little more prepared.

The Year of Magical Thinking will run at the Studio Theatre in Washington, D.C. through July 5. I hope you get to see it. Helen Hedman is wonderful. I dare you to watch it without a Kleenex up your sleeve.

Studio Theatre, Washington, D.C.Tickets : 202 - 332 - 3300

WOLF TRAP - 42nd Street
A  lovely summer evening awaits you

Verna Kerans


The first time I saw 42nd  Street was at the National Theatre in Washington, D.C. And even though I have strong memories of that show they do not compare to the production I  saw at Wolf Trap on July 17th.
The cast was outstanding . I have very little memory of the lead role of Dorothy Brock. I remembered that Peggy made an enemy of  Dorothy but the story was a little vague . This production however will live forever in my mind due to the very strong, well constructed role performed by Loretta Swit as Dorothy. Who knew she could sing!  She was wonderful.

We somehow feel it's Peggy Sawyer's ( Shannon M. O'Bryan)  show and in many ways it is as she "goes out a star" but Swit really shone in the Brock role and your heart goes out to her when Peggy steps into her shoes after Brock has broken her ankle. We empathize as Brock beautifully passes on her wisdom to the young starlet as Peggy goes out to save the show.. 

The part of Julian Marsh (Steve Blanchard) is a puzzlement. The role calls for a really strong voice and personality but Julian 's voice just doesn't shine until his final notes. He needs another song for that great voice. Steve Blanchard wowed the Wolf Trap audience with his seemingly endless notes of the title song. It was a show stopper and the audience ate it up.

Last but not least the role of Billy (Austin Miller)  was sparkling. His toe tapping was infectious as was the entire chorus line. If you like tap dancing this is very much the show for you.
The costumes by Roger Kirk -were brilliant - especially the "Dames" number. The dance choreography was the original Gower Champion version and the cast was flawless in their recreation of his famous number. The "Busby Berkeley" number was delightful even though the mirrors didn't quite mesh together. The sets by James Fouchard  were beautiful.

All in all it was a fabulous show and I welcomed the chance to experience the Wolf Trap evening.

Wolf Trap is a well known DC venue. it differs from The Muny in St. Louis in several ways. . The audience  - unless they sit on the lawn - will not get wet if it rains. The show will always go on. . Also you can carry your food and refreshment into the theatre for early snacking and intermission drinks. You can then set your cooler by one of the many support columns. How delightful!! What a great idea.
It was such fun to revisit Wolf Trap. Call 703 - 255 - 1900 for more information.

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